David
Cunningham's first significant
commercial success came with The Flying Lizards'
record 'Money', an international hit in 1979.
Since the release of his first album 'Grey Scale'
in 1976 David Cunningham has worked
as a musician and record producer, engaging with an eclectic range of
people and music, from pop groups (This
Heat, Palais
Schaumburg) to improvisers (David
Toop, Steve
Beresford) to Michael Nyman's
music for Peter
Greenaway's
films and with Ute
Lemper. More recently he has produced albums by Joanne
Robertson and O
Yama O.
In parallel with these
comparatively conventional music activities his installation works have
explored the real time
experience of the acoustic qualities of a space. This body of
work began with an installation at Chisenhale
Gallery
London (1994) and was subsequently developed for a series installations
at the Biennale of Sydney (1998),
the Tate Triennial of Contemporary British Art
2003, ICC Tokyo, Ikon
Gallery
Birmingham, 1m³ Lausanne and most
recently at Laure
Genillard London.
Film and television work has included two
long
continuing collaborations - with David Cunningham's first
significant
commercial success came with The Flying Lizards'
record 'Money', an international hit in 1979. His work crosses
many genres of
music, including work for
television, film, contemporary dance, and many collaborations
with visual artists and filmmakers.
Since the release of his first album 'Grey Scale'
in 1976 David Cunningham has worked
as a musician and record producer, engaging with an eclectic range of
people and music, from pop groups (This
Heat, Palais
Schaumburg) to improvisers (David
Toop, Steve
Beresford) to Michael Nyman's
music for Peter
Greenaway's
films and with Ute
Lemper. In later years he has produced albums by Joanne
Robertson and O
Yama O.
In parallel with these relatively conventional music activities his
installation works have
explored the real time
experience of the acoustic qualities of a space. This body of
work began with an installation at Chisenhale
Gallery
London (1994) and was subsequently developed for a series installations
at the Biennale of Sydney (1998),
the Tate Triennial of Contemporary British Art
2003, ICC Tokyo, Ikon
Gallery
Birmingham, 1m³ Lausanne and most
recently at Laure
Genillard London.
Film and television work has included
long
continuing collaborations - with William Raban,
recently '72-82',
'London Republic' and 'Available Light'
and with Ken
McMullen, most recently with 'Οχί An Act of
Resistance' and McMullen's
earlier films 'Being and Doing',
'Zina' and
(alongside Michael
Giles and Jamie
Muir) 'Ghost
Dance'. Related work
has included the production and treatment of sound for installation and
broadcast artworks by Susan
Hiller, Cerith Wyn
Evans, Laure
Prouvost, Martin Creed, Amikam
Toren, Joćo
Penalva, Ceal
Floyer, Ian
Breakwell, Gillian
Wearing, Thomas Demand, Sam
Taylor-Johnson, John Latham,
David
Hall, Stephen Partridge,
Bruce McLean,
Tony Sinden,
Brad
Butler
and Karen Mirza and many others.
William
Raban,
recently '72-82',
'London Republic' and 'Available Light'
and with Ken
McMullen, most recently with 'Οχί An Act of
Resistance' and McMullen's
earlier films 'Being and Doing',
'Zina' and
(alongside Michael
Giles and Jamie
Muir) 'Ghost
Dance'. Related work
has included the production and treatment of sound for installation and
broadcast artworks by Susan
Hiller, Cerith Wyn
Evans, Martin Creed, Amikam
Toren, Joćo
Penalva, Ceal
Floyer, Ian
Breakwell, Gillian
Wearing, Thomas Demand, Sam
Taylor-Wood, John Latham,
David Hall, Stephen Partridge, Bruce McLean, Tony Sinden, Brad
Butler
and Karen Mirza and many others.
Live music has involved solo
performances and multiple
collaborations including appearances with Yasuaki Shimizu,
Peter
Gordon, O
Yama O, John
Greaves, Rie Nakajima, Scanner, Pan sonic, Kathy Acker, Michael Nyman, John Cage, Mieko Shimizu and others.
Recent
projects have included recording and occasionally performing with O Yama O and in
collaboration with Joćo
Penalva two ballet scores for Companhia
Nacional de Bailado, Lisbon.
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