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Current |
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Origins |
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| The
Listening
Room Every Day, The 11th Biennale of Sydney Goat Island 18 September - 8 November 1998 |
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| This
installation was
created in the Queen's Powder Magazine on Goat Island, a nature reserve
in Sydney Bay. The building
is an enormous former munitions warehouse with very thick sandstone
walls
and an arched roof, built around 100 years ago. Two sets of scaffolding at each end of the space held speakers bouncing the sound off the arch, source was a single PZM microphone situated around head height half way along one side wall. A nearby boatyard on the island contributed metallic crashes and grinding noises which inspired the system to respond, not always predictably. This particular Listening Room presented two specific problems: Scale - a combination of scale and volume of the building and the available permutations of positioning the system was slightly too large to enable the presence of human bodies in the space to modulate the feedback notes - this did not prevent visitors becoming part of the experience by making noise - footsteps, speaking or singing. |
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| Damp
- heavy overnight rain tended
to soak into the sandstone fabric of the building causing extremely
high
humidity first thing in the mornings. This made the system
over-sensitive
causing a very high level of feedback for the first hour or so until
the
building warmed up in the daytime sunshine and the system stabilised.
(usually
by the time it was open to the public). |
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A
documentary
fragment of a moment within the installation, recorded on 23 September
1998
click on the speaker image Video documentation is here |
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